By Peter Laughlin, Folk Art Studio Supervisor
Photographs by Melanie Bernier
It must be mentioned that Reynolds performs this intricate work
persistently, but without ever seeing it.
He creates his sculptures entirely through the “sight” of his two sensitive
hands. The process is unimpeded and
swift; Reynolds can produce about two meters of beaded string in a 60- minute sitting. When he decides to create a new sculpture, Reynolds
naturally selects looping objects, such as a primitive harp and scraps of a chair.
A fascinating man in so many ways, Reynolds has acute attention to calendar time, even possessing the rare ability to forecast numbered dates with their corresponding weekday. Through his quiet persistence, he offers us work that can be enjoyed in hand and on display. The first work in this series was sold in Gateway Gallery’s winter show, 100 and Under, while another will be included in a spring exhibition at the Fuller Craft Museum, titled Shine a Light.